[ Read Online Culture and Imperialism ☆ love PDF ] by Edward W. Said ¶ izmirescort.pro
[ Read Online Culture and Imperialism ☆ love PDF ] by Edward W. Said ¶ Dense and sometimes irritatingly circular in logic, this book is still a fantastic piece of examining postcolonial literary theory Rooted in literature, this book looks at the history around the works though not in as extreme a detail as Orientalism and analyses it When it goes to far, it can tend to be annoying for example, while Aida is a brilliant example of imperialist orientalising a culture, and the history around it are interesting, it too specifically points to the cultural circumstances as being the reason that Aida came out as it was ie a specific attempt by Verdi rather than influencing the attitudes indirectly, which is a stronger argument both for Aida and also for the concept , but when it isn t exaggerating, it is clever and helpful Oh, ignore the last chapter It s interesting but a tangent.
In this followup to his classic Orientalism, Sa d looks closer at 20th C British and American imperialism In this series of essays, he consider s it the aesthetic object whose connection to the expanding societies of Britain and France is particularly interesting to study The prototypical modern realistic novel is Robinson Crusoe, and certainly not accidentally it is about a European who creates a fiefdom for himself on a distant, non European island If you wonder why a white person shooting innocents is one crazy isolated incident , where as if the shooter is someone of color or with an Arabic sounding name is immediately labeled terrorist , this book is for you It lays the foundation for how the West has justified its relentlessly violent rela Edward Said sCulture and Imperialismemploys a contrapuntal reading strategy by which he asserts the needs to examine texts from the perspectives of both colonized and colonizer To read a text contrapuntally is to read it with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which and together with which the dominating discourse acts 51 Contrapuntal reading requires not only reading the text in terms of what it includes but in terms of what has been excluded from it 66 67 In one of Said s most broad sweeping arguments, he contends that the novel itself is an artifact of imperialism, unthinkable outside the context of empire To read the complicity and construction of imperial ideology in British, U.
S and French literature is not to dismiss the literature of unworthy of analysis but to suggest the need for the complex I didn t finish this to be honest I got halfway through and gave up He analyses Verdi s opera Aida as an example of his thesis on the Imperialising nature of western culture because of factors like the fact that Verdi didn t present a thoroughly accurate version of Egyptian society in the opera He included women among the dancers at one point when in fact it should have only been men Shakespeare refers to the coast of Bohemia in a Winter s Tale It doesn t matter that Bohemia is landlocked, art doesn t have to conform to reality and this kind of looseness with the facts certainly isn t unique to western portrayals of colonies Basically I can see the point of his thesis but he repeats himself and uses too much hyperbole to hammer his point home He criticizes other critical approaches and overstates his case for example declaring that Texts are not finished objects.
Foucault s discourse is systems of thoughts composed of ideas, attitudes, courses of action, beliefs and practices that systematically construct the subjects and the worlds of which they speak Foucault traces the role of discourses in wider social processes of legitimating and power, emphasizing the construction of current truths, how they are maintained and what power relations they carry with them He later theorized that discourse is a medium through which power relations produce speaking subjects.
Edward Said s work depends on this notion by asking how we read texts For any text is constructed out of many available discourses, discourses within which writers themselves may be seen as subjects For Said, The critic s funct
Maybe even relevant to the discourse of our times than when it was written.
Edward Said s analysis of 19th and 20th century western written texts is outstanding In Culture and Imperialism Said makes the distinction between the two terms Colonialism and Imperialism Before this book I used these terms interchangeably, even after reading the book I don t think I fully understand how they are different In any case, I now know that Colonialism is the practise while Imperialism is the idea that shapes that practice In other words Colonialism is Now we The colonizer own you The colonized , your land, and we will be exploiting your economic resources to our benefit using brute force We also know and want you to know that we are a superior racial group, our intellectual abilities are beyond your comprehension and reach While imperialism is Now we the colonizer own you the colonized , your land and we will be ex I remember being completely blown away by Said s Orientalism years ago, and this book, like that one, is less concerned with resolving every possible issue it brings up than with inaugurating and providing profound moral and aesthetic incentives for a massive intellectual mission Said s goal here is not simply to explain the numerous ways that ideas of empire and culture bleed into each other, but to explain the broad humanistic necessity of studying that phenomenon at all This book, than anything I ve read in my life, offers a profound statement about why its important to exhume the writings and works of the politically marginal, the dispossessed and the displaced.
That s a project which has arguably become one of if not the dominant goals of the humanities in our age If you ve taken a college level literature course in the past 20 years that has focused on non wh